Start from the juice
Viscosity, colour and evaporation behaviour shape glass tint, closure seal and pump choice before any silhouette is drawn.
The atelier
Between the perfumer's brief and the glassworks floor.
GlassSculpt Studio is a small group of industrial designers and packaging engineers who develop fragrance primary and secondary packaging end to end.
Founded around a single constraint
The studio was formed after too many beautiful bottle concepts arrived at the glassworks and came back reduced — walls too thin at the shoulder, facets that could not release from the mould, caps that did not sit square on a crimped neck.
We work the other way around. Manufacturing limits are collected first, then the form is developed inside them, so what is presented has already survived the factory.
- 120+
- Bottle programmes
- 16
- Glassworks partners
- 4
- Continents shipped
How we work
Draw to the machine
Every section is checked against the blowing, crimping and folding equipment that will actually produce it.
Model in the hand
Directions are judged on resin and clay models at full weight, never on a screen alone.
One document set
Clients leave with a single coordinated release: sections, tolerances, CMF sheet and dielines.
Materials we specify daily
- Flint, extra-flint and lead-free crystal, tinted in the melt or coated
- Zamac 5, 6063 aluminium, brass collars and stainless ferrules
- FSC-certified uncoated boards, cotton wraps and hot-stamp foils
- Molded pulp, recycled EVA and paper-based cradle alternatives
